Because tomorrow is the first official day of summer in Australia, here’s Billy Thorpe with “It’s Almost Summer” (1974):
Today’s song mixes music with alcohol and an extremely laidback vibe. Those elements make it the perfect seasonal song.
(“Which season?”, I hear you ask. Why, the season ending in “er” of course. Boom! Boom!)
That’s enough of the bad jokes, Peter. Let’s try that again:
This combination of music, alcohol, and laidbackiness may cause you to celebrate (“Hooray! Booze in a Song of the day! Finally!”) but it makes me woozy and I can’t think straight. Don’t get me wrong – I like today’s song, it’s just that whenever I listen to it I feel as drunk as they sound. The band were not terribly concerned with anything at all during the recording of it, such is its effectiveness in conjuring up thoughts of lazing on a beach with a specific drink in hand.
When this song was suggested to me*, I pooh-poohed the idea of presenting it, thinking “Nah, I don’t like it that much.” Although I hadn’t heard the song in years, I didn’t need to play it again to remind myself what it sounded like because it was a song I was very familiar with. So I went to sleep that night, safe in the knowledge that I wasn’t going to inflict this song on anyone because I had remembered it not being that great. (I have a policy: If I don’t like a song, it ain’t gonna play it for ya.)
However, when I woke up the next morning the song was stuck in my head. And it stayed there all day.
So I thought to myself: it can get stuck in my head all day, it can get stuck in your head, too. (It’s only fair…)
Without much further ado (’cause there’s certainly been more than enough ado already), here for your imbibing pleasure is the Ted Mulry Gang and their ode to doing nothing at all (and enjoying it immensely), “Jamaica Rum”:
Ted Mulry Gang – “Jamaica Rum” (1976)
(*Col strikes again.)
I’ve been wanting to let you know about J-popper Ai Otsuka for ages, but have been constantly distracted by my quest to fill your ears with Antipodean power pop.
Everything about Ai Otsuka is adorable (or unbearable, depending on your perspective). First of all, she’s impossibly cute. And she’s a qualified kindergarten teacher, so, if her music career hits the skids she can follow her non-musical dream and go back to teaching little kiddies (awww). Even her name, “Ai,” means “love” (awwwww).
I tell you, Ai Otsuka is so adorable that I’m ready to adopt her at the drop of a hat.
By the way, her songs are actually hers (i.e., she writes ’em all). Ms Otsuka doesn’t have a team of songwriters coming up with formulaic pop to appease a tween audience. Ai Otsuka is cute and talented.
I won’t pester you with too many of her songs, just enough to give you an idea of why I like her music.
So, if you’re game, let’s listen to some Ai Otsuka…
01. “Pretty Voice”
“Pretty Voice” is the opening track of her debut album, Love Punch (2004). Did I say that Ai Otsuka was cute? Here’s the cover of Love Punch:
If you were looking for anything cuter, I think you’d have to find some photos of kittens cuddling ducklings.
Anyway, “Pretty Voice” lets you know straight away that Ai Otsuka is a pop girl who’s full of beans (or, judging by the album cover, full of jelly beans). One thing I love about “Pretty Voice” is the banjo. Yes, there’s a banjo in this song – and it’s hyperactive. How many pop songs, Japanese or otherwise, can you think of that have a hyperactive banjo in it?
“Superman” is built around a nice rocky riff and contains some unusual English narration. It’s the kind of English that’s led people to coin the term ‘Engrish‘. I love Engrish (and so does this person) in its innocent mangling of the English language. For example, there could be a greatest hits compilation by an artist but instead of being called something like Greatest Hits or The Best Of…, it’ll be called Super Happy Fun Best Ever. I love that.
“Peach” was the theme song to Hanazakari no Kimitachi e (more popularly – and helpfully – known as Hana Kimi), a Japanese comedy/drama TV series in 12 episodes about love found, love lost, and love refound amongst high schoolers. It’s the standard boy-meets-girl scenario, but Japanese-style – which means that as well as the romance there’s also a pile of comedic characters and situations. (I think in the West it’d be called a ‘dramedy’. Ugh.) “Peach” played at the start of each episode and, because I watched – and enjoyed – all 12 episodes of the show with our resident 18-year-old Japanese expert (Hi, Celeste!), I have “Peach” firmly lodged in my brain.
04. “Pon Pon”
“Pon Pon” is manic. This is a song that you would definitely not want to try singing at your next Karaoke session.
A nice little pop song that’s fun, fun, fun.
06. “Happy Days”
I must warn you that you may not like this song anywhere near as much as I do. There are a few things in it that have the potential to put you off – for example, in the chorus there is what sounds like a choir of chipmunks all singing the phrase “happy days,” and accompanying those chipmunks are frequent shouts of “Hnnh!” which sound like what could be described as ‘James Brown-lite’. But it has a magnificent guitar riff, and Ai Otsuka at her chirpiest. I don’t know exactly your tastes in music, pop artists, fashion, etc but… how can you not love this?:
A boppy little ditty about cherries. Apparently, Ai Otsuka loves singing about food. Apart from “Peach” which you’ve already met (it was Track 03), she’s written songs with titles such as “Strawberry Jam,” “Mackerel’s canned food,” “Cooking 3 minute Ramen,” and even “Salty Grilled Tongue of Black Cow 735 Yen”. And her first three albums are called Love Punch, Love Jam, and Love Cook. Now I’m starting to get hungry…
08. “Ishikawa Osaka Yuukou Jouyaku”
“Ishikawa Osaka Yuukou Jouyaku” (“Ishikawa Osaka Friendship Treaty”) is an enjoyable – or tremendously annoying – singalong.
“Smily” is possibly the happiest song ever recorded. I think that, no matter what the language, “Smily” is a supreme piece of pure pop (it has some of the greatest hooks in any pop song of the last ten years). This song was the moment when I realised how much I wanted to adopt Ai Otsuka. And when I first saw this video, I wanted to hop on the next plane to Japan immediately:
“Amaenbo” (“Spoiled child”) is the penultimate track on Ai Otsuka’s debut album, Love Punch. The melody in the chorus makes me think it could be a ballad version of that album’s opening track “Pretty Voice” (which was Track 01 on this little journey through the Wonderful World Of Ai). Regardless, it’s a nice ballad, and with some lovely falsetto at the 3:01 mark.
And there you have it. That was a (very selective) selection of Ai Otsuka songs. I hope you enjoyed at least a bit of some of those songs.
Although I have no trouble whatsoever playing (and enjoying) these songs, I understand that there’s a distinct possibility that you’ve turned up your musical nose at the very thought of going anywhere near them. Fair enough. Each to their own and all that. I certainly wouldn’t want to force you to listen to any of it, just I wouldn’t want you to force me to listen to that Venezuelan Death Metal band you like.
Rest assured, we’ll resume normal power pop duties tomorrow. Until then, I think I’ll listen to a little more Ai Otsuka…
Here’s the Zoot with “Monty And Me”, a groovy little ditty from 1969 sounding very much of its time (think hippies, beads, bells, incense, and very long hair):
Zoot – “Monty And Me” (1969)
I like how that catchy tune is repeated relentlessly until resistance becomes useless. That tune’s going in your head whether you want it to or not.
Incidentally, this is the very same Zoot that would discard those beads, bells, and incense just one year later to crank up the amps for their heavy-duty riff-a-rama version of “Eleanor Rigby” (which, I’m happy to say, was Song of the day a few weeks ago).
Happy Birthday, Magical Mystery Tour, released on 27 November 1967.
In honour of one of the weirdest (but not in a good way) TV movies ever released, here’s one of the weirdest (but in a very good way) pop songs ever released. This song is still so far ahead of its time:
(Warning: internal monologue coming up…)
Q: Do you want to play another song by The Wellingtons?
Q: Has it been at least a week since you last played a song by The Wellingtons?
Q: But aren’t you running the risk of boring people to tears by playing another song by The Wellingtons?
A: You bet.
Q: Are you still determined to play a song by The Wellingtons?
Q: Aren’t you sick of mentioning The Wellingtons?
If you’ve been reading this blog for a while you may have come to the conclusion that The Wellingtons have only ever made one album (2008’s Heading North For The Winter), such has been my relentless plugging of it. The band actually recorded two albums before that: Keeping Up With The Wellingtons (2005); and For Friends In Faraway Places (2007).
I’m here to correct this skewed view of the world where there’s only Wellingtons album in it. What kind of world would that be? (Well, I guess if you hate The Wellingtons, the answer would be: “a happier world.” But I don’t hate The Wellingtons. No, sir. So I’m rather pleased there’s more than one Wellingtons album in it.)
From The Wellingtons’ second album, For Friends In Faraway Places, here’s “If We Feel OK” (2007):
By the way, for today’s Song of the day I was having trouble deciding between two tracks – the rockin’* “If We Feel OK” (see above) or the equally rockin’* “Singer In A Cover Band.” But then I had a brainwave:
So, as a bonus here are The Wellingtons with “Singer In A Cover Band” (2007):
(*Sorry about that. I’ll try not to use the word “rockin'” ever again.)
Here are the cutely-named goyouhuskies! with “Waking Up Is Hard To Do” (2006):
Unfortunately for goyouhuskies! (that really is a cute name), every single time I see the name of their song I want to hear this:
(*The All Music Guide describes Neil’s song as “two minutes and sixteen seconds of pure pop magic”. That’s because it is.)