Song of the day: Amy Findlay and Nick Barker – "Itchycoo Park"

December 19, 2011

I watch an Australian TV rock music quiz show called RocKwiz. It’s shown every Saturday night, and I love it.

At the end of each episode the two musician guests perform a duet. The most recent episode (last Saturday night) had Australian musicians Amy Findlay and Nick Barker who performed “Itchycoo Park“. I liked how their version stripped it back to the essentials (i.e., no psychedelic baggage), leaving you to focus on the melodies and song structure. As a result, I liked the song more than I have in years:

(Incidentally, there’s a bit of chat by the host before the song starts, but I left that in the video because I liked the joke.)

(Also incidentally, if you press “play” and the video looks all green and weird, just stop it and start it again. That fixes the problem – and I have no idea why. And I recommend choosing the 480p video setting. Unfortunately, the default is 360p.)

And the original:

Small Faces – “Itchycoo Park (1967)


The full RocKwiz episode:

Frank’s Faves on Fridays

October 8, 2010

Brett Dennen – “Make You Crazy” feat. Femi Kuti (2008)

Nice. It has a nice tropical feel to it. It’s nice. (I can’t really think of another word to describe it. It’s nice.) I’m not entirely sold on Brett Dennen’s voice, though. It’s OK, but I don’t warm to it as much as the rest of the song. Unfortunately for me (and possibly him), the sound of his voice reminded me a little of Carol Channing. (Yes, Carol Channing.) But as far as the song itself is concerned, I liked it. It’s nice. However… I wasn’t especially enamoured with Femi Kuti’s appearance – either his asides (echoing the last bits of Brett’s singing in the verses), or his “featured” contribution from 2:39 to 3:00. I thought it was OK but fairly pointless. I’ve never been a fan of all those “feat.” / “ft.” (and, worst of all, “vs.” – ugh) songs where a ‘celebrity’ artist is wheeled into a recording studio, adds a “Whoa” here and a “Whoo” there, and then the record company proudly announces the participation of said ‘celebrity’ artist in a cynical attempt to increase sales (“Look, everybody! We have [insert name of superstar artist here] on this track! They’re not doing much, but you’ll want to buy because they’re on it! Won’t you? Sure you will, because [insert name of superstar artist here] is on that track!”). Well, that’s how I see it, anyway. I suppose it is possible that the (non-‘featured’) artist actually wanted the guest musician to appear in their song (albeit offering a minimal contribution). I’ve listened to “Make You Crazy” four times now, and I still like it – despite Femi Kuti’s interjections.

Robert Palmer – “Man Smart, Woman Smarter” (1976)

Robert Palmer: The Man with Impeccable Taste. Has Monsieur Palmer ever released a dud song? Ever? If he has, I haven’t heard it. “Johnny And Mary“? Excellent. “Some Like It Hot“? Excellent. “Every Kind Of People“? Excellent. I always found it amazing how Robert could easily (and convincingly) slip into pretty much any genre of music. With “Man Smart, Woman Smarter” he effortlessly channels Little Feat – and his singing is, as always, superb. What a voice! Robert Palmer. Class act all the way.

Roger Miller – “Engine Engine #9” (1965)

Although I’m usually allergic to country music, there are two exceptions that I will go out of my to hear: Hank Williams and Roger Miller. I can’t get enough of either artist. Incidentally, when I played “Engine Engine #9” again straight after listening to it, I noticed that during the song it had changed key somewhere. I didn’t notice it the first time, but on the third listen I found it: the key change happens at 1:04. (Boy, this is useless information.) I love pretty much everything about this song. (It’s Roger Miller. I can’t help loving it.) However, I’d like to single out the drumming for special praise – I thought it was the highlight of the instrumental backing. Every time I listen to the song, my ears zoom in on the sterling bass drum work (it’s in the left channel, and it’s fabulous).

Small Faces – “Lazy Sunday (1968)

Music: splendid.
Lyrics: perceptive.
Fake Cockney accent: annoying.
The dreamy bit at the end of the song: wonderfully dreamy.
Heard more than enough times courtesy of Australian radio’s insistence on playing nothing else by Small Faces but “Lazy Sunday” as the representative Small Faces song: yes.
Still like “Lazy Sunday”: unbelievably, yes.

Bonus instrumental:

Billy Vaughn And His Orchestra – “Sail Along Silvery Moon” (1957)

Fun Fact 1: ABBA‘s Benny Andersson loves the music of Billy Vaughn. Fun Fact 2: One of ABBA’s best* songs, “I Do, I Do, I Do, I Do, I Do, I Do“, is a tribute to Billy. By the way, Benny created a big band (Benny Anderssons Orkester) that regularly tours Scandinavia. I have their live album, BAO på turné (BAO on tour) (2006), and I think it’s fabulous. If you like Billy Vaughn (considering you sent me a Billy Vaughn track, I’m guessing that you do), I reckon you’ll like that live album. Here’s a taste. See (and hear) what you think. I have to say that when I’m mood for it, there’s nothing better. It sounds like everyone in the band is having a ball – and their enjoyment is totally infectious. But back to Billy. “Sail Along Silvery Moon” is yet another wonderful instrumental. I think I’ve already used the word “wonderful” elsewhere in this post. I’ll try to use a different word. Hang on, I’ll consult a thesaurus. Let’s see: there’s “swell”, “peachy”, “crackerjack”, “super duper”, “the cat’s pajamas”, and even “copacetic” (although I’m not entirely convinced that “copacetic” is a real word). Yep. They all describe “Sails Along Silvery Moon” quite well. By the way, the saxophone work in “Sail Along Silvery Moon” has always reminded me of “The Ranger’s Waltz” by The Moms & Dads (1972), a track that got stuck in my brain when my parents bought the single and played it, played it, played it. (This is the kind of thing that, when you’re 11 years old, helps form a permanent bond with Easy Listening and Instrumental music. And you wouldn’t have it any other way.)

(*As far as I’m concerned, ABBA had approximately 230 best songs.)

Song of the day: Town Criers – "Hey Girl"

February 2, 2010

Here are the Town Criers with a great little rave-up, “Hey Girl” (1969):


“Hey Girl” was the B-side of “Love Me Again” which, I’ve only just noticed, was Song of the day less than a month ago. Oops*.

Anyway, here’s the original:

Small Faces – “Hey Girl (1966)


(*I really must space out songs by the same artists a bit more than I’m doing at the moment. I’m sure that whenever you read a blog you want variety from it – and two Town Criers songs in a month doesn’t help at all. Sorry about that. But at least I can safely say that tomorrow’s song won’t be by the Town Criers**.)

(**If you’re a Town Criers fan, sorry about that.)